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Film School Rejects

Movies, TV, and Culture

‘Fair Play’ Offers a Scathing Takedown of the Aggressively Insecure01/29/23
‘Infinity Pool’ is a Visual Feast That Ultimately Runs Shallow01/28/23
Lily Gladstone Shines in the Sadly Necessary ‘Fancy Dance’01/28/23
DP Russell Carpenter on the Virtual Reality of ‘Avatar: The Way of Water’01/27/23
Natasha Lyonne is A 21st-Century Columbo in Rian Johnson’s Brilliant ‘Poker Face’01/27/23
How “Decision to Leave” Weaponizes Misdirection01/27/23
‘The Deepest Breath’ Manages to Escape the Shallows01/26/23
‘Talk to Me’ Unleashes a Brutal Slice of Possession Horror01/26/23
‘Sometimes I Think About Dying’ Is a Warmly Observant Film on Loneliness01/26/23
The Day New Hollywood Died01/25/23
200 Hours Makes One Garment in ‘Avatar: The Way of Water’01/24/23
Ben Davis and the ‘High Noon’ Cinematography of ‘The Banshees of Inisherin’01/24/23
That ’90s Show Is An Endearing Encore To A Sitcom Favorite01/23/23
In Profile: The Art of the Cinematic Close-Up01/23/23
The Best Sci-Fi and Fantasy Movies of 202201/18/23
Our Pick of the Week Cooks Up a Delicious Meal01/18/23
The Best Non-English Language Films of 202201/15/23
The Best Breakout Performances of 202201/14/23
The Best TV Scenes of 202201/13/23
How Mia Goth’s Pearl Stole the (Horror) Show in 202201/13/23