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Film School Rejects

Movies, TV, and Culture

Sounds Thrilling: The Sound Design of David Fincher09/26/22
‘Bad City’ Delivers a Gritty and Thrilling Ride for V-Cinema Fans09/25/22
‘Athena’ Stuns With Both Beauty and Intensity09/24/22
‘The Kingdom: Exodus’ Is A Welcome Return For One Of Lars von Trier’s Strangest Creations09/23/22
Matt Sobel Explains Why He Remade ‘Goodnight Mommy’ After Rejecting It09/23/22
A Beginner’s Guide to Early Surrealist Films09/23/22
‘Glass Onion’ Is Transparently Silly But That’s Kind of the Point09/22/22
‘She-Hulk’ Introduces a Supervillain Threat with Phase One Ties09/22/22
The 12 Most Anticipated Films of Fantastic Fest 202209/22/22
‘Triangle of Sadness’ Desperately Wants What ‘Parasite’ Has09/21/22
We Need to Talk About How Weird ‘Nothing But Trouble’ Is09/21/22
‘The Beast’ Roars and Rolls to Life on Blu-ray from Imprint Films09/21/22
‘Weird’ Rides or Dies on Letting Daniel Radcliffe Be a Little Freak09/20/22
‘Andor’ Flexes Some Serious Prequel Power in its Premiere09/20/22
How the 4K Restoration Returns the Humanity to ‘Star Trek: The Motion Picture’09/20/22
Immigrant Horror-Drama ‘Nanny’ Spotlights the Talent of Anna Diop09/19/22
Why ‘Spring Breakers’ Marked the End of the Indie Sleaze09/19/22
‘One Fine Morning’ Is Brilliant And Touching, Except When It’s Not09/16/22
Tolkien’s Nightmarish Great Wave Arrives in ‘The Rings of Power’09/16/22
One Early M*A*S*H Episode Proved That Sitcoms Can Break Our Hearts09/16/22